​This Open Studio unfolded as another iteration of dancer-audience engagement in the art space. Framed by two ongoing projects—Living Diary and Experiencing Horizontal—this experiment continued my exploration of the artist-audience relationship as a reflection of the troubled, shifting times we inhabit. It invited a sensitive relationality, affective materiality, and attention to the repetitions and patterns of art laboring, emphasizing the whole and responsive body presence in conversation. The Gray Box—this space between practice and research—held Choreographic Documentations and Installations, which represent my dissertation research. They are not finished, not a product object, not exactly a work-in-progress, and not quite a process. Instead, they are actions at rest, choreographic gestures on pause—a living, moving, diary-like continuum of performance art, an embodied “sense-ability” of relational presence.